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Author
Series
Language
English
Description
In Critique of judgment (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgement, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognise in nature a harmonious order that satisfies the mind's own need for order. The second half...
Author
Publisher
Clarendon Press
Pub. Date
1952
Language
English
Description
German philosopher and significant 18th century late Enlightenment thinker Immanuel Kant wrote "Critique of Judgment" in 1790 to solidify his ideas on aesthetics. Divided into two sections, one on aesthetic judgment and the other on teleological judgment, "Critique" proceeds to analyze the human experience of the beautiful and the sublime. From the effect of art and nature to the role of imagination, from objectivity of taste to the limits of representation,...
Author
Publisher
The University of Chicago Press
Pub. Date
2021.
Language
English
Description
"If professors of literature have an expertise, it is in making judgments about value. They select works that deserve their students' attention because they are powerful, beautiful, surprising, strange, insightful. The intellectual coherence and social role of literary studies depend on the ability of literature professors to make such claims. Yet literary studies has largely disavowed judgments of artistic value on the grounds that they are inevitably...
Author
Series
Publisher
Routledge
Pub. Date
2010.
Language
English
Description
In 'Distinction', Pierre Bourdieu brilliantly illuminates the social pretentions of the middle classes in the modern world. Focusing on the French bourgeoisie - its tastes and preferences - 'Distinction' is at once a vast ethnography of contemporary France and a dissection of the bourgeois mind.
Author
Publisher
Criterion Books
Pub. Date
2016.
Language
English
Description
Anthony Daniels tackles the complex relation between good and bad art on the one hand and good and bad ideas on the other. He contrasts authors or artists whom he considers good with those he considers bad, and tries to explain why his opinion is not merely a matter of individual taste but is based upon reason as well. He argues judgment and discrimination (between good and bad, beautiful and ugly) are intrinsic to any conceivable human existence,...
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