Seamus Heaney's new collection starts "In an age of bare hands and cast iron" and ends as "The automatic lock / clunks shut" in the eerie new conditions of a menaced twenty-first century. In their haunted, almost visionary clarity, the poems assay the weight and worth of what has been held in the hand and in the memory. Images out of a childhood spent safe from the horrors of World War II — railway sleepers, a sledgehammer, the "heavyweight / Silence"...

"Field Work" is the record of four years during which Seamus Heaney left the violence of Belfast to settle in a country cottage with his family in Glanmore, County Wicklow. Heeding "an early warning system to get back inside my own head," Heaney wrote poems with a new strength and maturity, moving from the political concerns of his landmark volume North to a more personal, contemplative approach to the world and to his own writing. In "Field Work"...

Once a month, Lord Loam encourages his servants to enter the drawing room for tea. This ritual defiance of tradition disturbs Crichton, the butler, who regards the class system as "the natural outcome of a civilized society." When the entire household is shipwrecked and stranded on a desert island, a new social order emerges ― with comic results for master and servant. This classic English comedy, written by the author of Peter Pan, combines light...

Door into the Dark, Seamus Heaney's second collection of poems, first appeared in 1969. Already his widely celebrated gifts of precision, thoughtfulness, and musicality were everywhere apparent.

This extraordinary trove of previously unpublished early works includes drafts of poems such as "The Love Song of J. Alfred Prufrock" as well as ribald verse and other youthful curios. "Perhaps the most significant event in Eliot scholarship in the past twenty-five years" (New York Times Book Review). Edited by Christopher Ricks.

This collection of Nobel Prize winner Samuel Beckett's dramatic pieces includes a short stage play, two radio plays, and two pantomimes. The stage play Krapp's Last Tape evolves a shattering drama out of a monologue of a man who, at age sixty-nine, plays back the autobiographical tape he recorded on his thirty-ninth birthday. The two radio plays were commissioned by the BBC; All That Fall 'plumbs the same pessimistic depths [as Waiting for Godot]...

In The Spirit Level, as ever with Seamus Heaney, personal memory and humble domestic objects, a whitewash brush, a sofa, a swing, are endowed with talismanic significance, and throughout the collection he addresses his growing concerns, which inevitably include the political situation in his native Northern Ireland, in a poetry that never ceases to be fluid, alert, and completely truthful.

This collection of thirty-one poems is Seamus Heaney's first since Station Island. The Haw Lantern is a magnificent book that further extends the range of a poet who has always put his trust in the possibilities of the language.

The title poem of this collection, set on an Irish island, tells of a pilgrim on an inner journey that leads him back into the world that formed him, and then forward to face the crises of the present. Writing in The Washington Post Book World, Hugh Kenner called the narrative sequence in Seamus Heaney's Station Island "as fine a long poem as we've had in fifty years."

"There are no poetic 'subjects' in this book, no conventional nightingales and daffodils, and there is no acceptance, either, of the traditional rules of meter and rhyme. As one discerning critic has said: 'We have here, in short, poetry that expresses freely a modern sensibility, the ways of feeling and the modes of experience of one fully alive in his own age'. "The main poem in this collection is 'The Waste Land' (1922) to which Mr. Eliot has...